NC New Releases 🎵

In February and early March of 2019, NC artists greeted the end of winter with a spate of phenomenal new tunes from many genres.

This edition of NC New Releases is brought to you by February and early March of 2019. NC artists greeted the end of winter with a spate of phenomenal new tunes from many genres.

North Carolina did not come to play this month; from math rock fresh off the DIY scene in Greensboro, to old-time music with modern sensibilities out of Durham, to innovative beats from Greenville.

Whoever you are, whatever tunes you like to groove to, NC has a new release for everyone. Let’s go.

Allison de Groot & Tatiana Hargreaves

Powerhouses Allison de Groot and Tatiana Hargreaves debut their musical partnership with a fresh take on an old favorite, “Eighth of January.”

Considered among the finest of a new generation of old-time and bluegrass musicians, banjoist de Groot and fiddler Hargreaves are in top form on this much-recorded, much-beloved classic.

While Hargreaves and de Groot pay homage to the song’s long recording history, their interpretation of “Eighth of January” has a modern verve. Crisp production and sparkling technique honor the storied Southern traditional without getting bogged down in sentimentality. This recording is a tantalizing taste of the album to come.

You can follow Allison de Groot on her website, Facebook, and Instagram, and Tatiana Hargreaves on her website, Instagram andFacebook. You can stream “Eighth of January” and preorder the album on Bandcamp here.

Mo. Three

In one minute and twenty-five seconds, Mo. Three makes beat magic. The Greenville artist’s most recent release, Short ‘n Fancy, is, well- just that.

The playful mix of genre and orchestration paired with distinctive beats make for eight witty, memorable tracks to bump. “Fancy a Dance, m’lady?” is a great display of Mo. Three’s musical humor, while ROSES is as smooth as grooves get.

You can follow Mo. Three on Instagram, Twitter, and Facebook, and hear his appearance on episode four of Treee City’s Rainforest Café here. You can listen on Bandcamp here.

Terms x Conditions

On their thrashing first release, Excuse My Colours, products of the Greensboro DIY scene Terms x Conditions romp through jazz-infused math rock.

Everything beloved about math rock as a genre is present in Excuse My Colours. The classic atypical time signatures and technical precision are all brought to a fever pitch of scientific raucousness. Plus, every musician is excellent; though the wailing euphonium, saxophone, and trumpet are especially impressive.

Terms x Conditions are a commanding addition to the Greensboro DIY scene- and this release cements them as a band to watch.

You can follow Terms x Conditions on Facebook and Instagram, and stream the album on Bandcamp here.

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Premiere: Hear Wake Moody’s Debut Single, “Shivers”

Listen to Carrboro band Wake Moody’s debut single, “Shivers.” Lead singer Gabriel Reynolds shares how he brought the song’s seductive story to life.

With one sung note, Carrboro musician Gabriel Reynolds enters a new era as his band, Wake Moody, premieres their debut single, “Shivers.” That note- a sustained, Michael McDonald-esque exclamation- could be a cry of pleasure or a cry of despair.

In “Shivers,” Reynolds tells the story of a hookup with a friend who could’ve been much more, if the timing had been right.

That heartache could easily make for a maudlin track- but Wake Moody goes in the opposite direction. From beginning to end, “Shivers” feels like a visceral dive into indulgence.

Grooving to Heartbreak

“Shivers” is fun, seductive, with an appealing groove that propels the listener into temptation. The sleek production and dreamy synths all but banish the consequences of the encounter ‘til tomorrow. Reynolds really leans into his vocal performance: he slurs into that insistent rhythm, he husks, he hits a few really great belted notes. Musically, “Shivers” is all good vibes, great for dancing with a date.

But don’t be engulfed entirely by the fun- regret looms large over the lyrics.

Singing as one half of this one-night stand, Reynolds is beguiled by his failed love interest, impassioned; he’s also all too aware of the pain that lies ahead.

“Now we’re writhing at the bottom of the ocean/and when you say my name it isn’t in devotion,” croons Reynolds. The wordplay is satisfying- but it packs a poignant punch.

“Shivers” makes for a memorable calling card for Wake Moody. It also provides an exciting taste of the debut EP of the same title, due out in March.

Check out the premiere of Wake Moody’s debut single, “Shivers.”


“Shivers” is about the excitement and heartbreak of a one-night stand with an unrequited love. How did you approach making the story come to life, lyrically and sonically?

Sometimes I have to trick myself into expressing emotions. My guide in writing this song was a vivid mental picture of these two characters with a specific, messy history, and my role was just to observe them: let their story unfold and document their sexy mistakes.

It was easy to talk about these people from a distance. Then when I finished, that mental image came into greater focus and I realized – surprise – it was me.

I’d been projecting a real-life event I’d never worked through emotionally, and that fake distance I created finally allowed me to process the heartbreak, regret and disappointment from that time in my life. It was like a vivid dream, where you don’t realize the symbolism ‘til you wake up. I needed it.

I also wanted it to feel like part of a larger story, so the song starts with the word “and” then ends before you learn the consequences – to be continued. Then the next song on the EP continues the story, so that mystery lasts all of five seconds. But it’s cool to me. I like art that zooms in on a bigger picture.

As for the music, I’ve been an all-caps SAD BOY on stage before and didn’t like spreading that vibe, so the sound here is much sweeter than the story.

I definitely take notes from Frank Ocean, who knows how to make the surface feel at peace while there’s a darker story right underneath. He can write a song about a depressed rich kid throwing himself off a rooftop, and people play beer pong to it. Amazing.

If you had to characterize your writing process in three words, what would they be?

Feeling beats thinking.

All photos and album cover photo by Jillian Clark Photography. Album cover design by Ruben Rodriguez.

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9 Alternative Ways to Celebrate Valentine’s Day 2019

Alternative ways to celebrate Valentine’s Day 2019 in the Triangle.

Not to knock the candlelit dinner or staying in with your fellow single friends, but for this Valentine’s Day, wouldn’t you rather do something a little different? The Triangle has plenty to offer for Valentine’s Day 2019…it’s just a matter of choosing your own alternative adventure.

Axe Your Ex

If you’re looking to let off some post-breakup steam, the folks at Epic Axe Throwing and Social House have a solution. This V-Day bash will include drink specials and a taco bar. Don’t forget to brush up on your throwing skills… every bullseye gets a box of chocolates!

Space is limited, so nab your ticket here.

Local Band Local Beer: Heartbreakin’ Ball

Raleigh favorite The Pour House is hosting a Valentine’s Day edition of Local Band Local Beer: a Heartbreakin’ Ball. If dancing to Lonnie Walker, AUTOSPKR, and Echo Courts and imbibing Foothills Brewing Co. beer sounds like a good time, grab a ticket here.

Goth Prom at Arcana

Whether you live a goth lifestyle year-round or just want to go goth for a night, you can groove all night at Arcana. This Valentine’s Day 21+ dance party has 20th Century Boy spinning classic goth, dark dance, and industrial music and tarot-themed cocktails.

Suggested dress code: black. Maybe a touch of red. And more black.

Check it out here.

Carolina Skies: Valentine Edition

It’s always a starry night at Morehead Planetarium. Get a love-themed tour of the universe in Chapel Hill on one of four dates, including February 14th. There’s even a special heartbreak edition on February 9th, if you feel so inclined.

More info and tickets here.

Okapi at The Cave

Asheville duo Okapi will light up The Cave with the upright bass and cello. With Ciera Mackensie opening, this is a night not to be missed.

Check out the Facebook event here.

SAD Valentine’s Party at Boxcar

Celebrate the single life with your friends AND support the Hands for Hearts Foundation at the Raleigh location of Boxcar Bar + Arcade. With DJ Chaperone spinning, artisanal cotton candy from Wonderpuff Cotton Candy, and a percentage of the night’s sales going to a good cause, this is fun you can feel good about.

Learn more here.

Crazy Doberman at Nightlight

Spend Valentine’s Night in Chapel Hill with Crazy Doberman, a “midwestern psycho jazz unit.” Nightlight is one of the best spots in the area to hear experimental tunes, so hit up W. Rosemary Street for a quirky, great time.

More info here.

Dream Date 90s Dance Party at Ruby Deluxe

If you want to get in your feelings with the music of your childhood, head to Ruby Deluxe at 10 PM. DJ Luxe Posh and DJ DNLTMS will spin 90s favorites at this 21+ dance party. Sweets, drink specials, and maybe some Whitney Houston- this is what Valentine’s Day should be.

Check it out here.

PHK is for Covers at The Pinhook

The Pinhook is hosting a night of covers of apathetic/anti bands and fundraising for the NC Women’s Prison Books Project. Come donate to this worthy cause and rock out/chuckle to covers of The White Stripes and Weezer. Good time + good cause = a great Valentine’s Day.

Read up on the event here.

For More Inspiration

For more date ideas that won’t break the bank, check out The Triangle Guide’s Cheap Date series: Durham and Raleigh editions.

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NC New Releases 🎵

Banish the January blues with red-hot tunes from Alex Aff, BREV., and Pinky Verde.

We’ve packed away the Moore Square acorn and swept up the confetti, but hold up- the party’s just beginning. January 2019 saw great releases from NC artists. Alex Aff, BREV., and Pinky Verde brought it with new music in the last few weeks. You can banish the January blues with red-hot tunes.

Alex Aff, Frequencies

Frequencies is Alex Aff’s first entirely self-produced project, and in less capable hands that might’ve made for a more self-indulgent record. Aff, however, is in top form on this album, taking the creative room to be more contemplative and witty than ever.

He dives headfirst into hope, ego, and social injustice, and the results shine. “In My Own Lane” stands out as the most danceable track, and where Aff might be the most lyrically astute. He dances from personal struggle, determination, and success to racial oppression and back again-  and he makes it look easy.

You can check out Frequencies on Spotify and iTunes, and follow Alex Aff on Twitter, Instagram, and Facebook.

BREV., Revive

Raleigh synth-pop artist BREV. is back with new EP Revive. Centered around the joys and perils of self-determination, this is BREV.’s most thematically cohesive EP,  and undoubtedly his most fun offering to date.

The opener, “Barrel Down,” grooves like a good time – but the lyrics pack a powerful punch for anyone who’s ever felt the need to revitalize a stale life.

You can get an earful of Revive on Spotify, SoundCloud, and Bandcamp, and follow him on Twitter, Facebook, and Instagram. If you want to learn more about the man behind the synth-pop, you can check out TTG’s Q&A with BREV. here.

Pinky Verde, Infinitesimal

Lovers of grunge, listen up. You need to listen to Pinky Verde’s Infinitesimal just to get an earful of Heather Jensen’s voice. While she doesn’t scream, she has the same slouchy charisma of many of your 90s favorites.

That voice lends her intimate, observant lyrics additional heft and make listening to this Wilmington resident feel like reading the cool girl’s diary. The title track that closes the EP, “Infinitesimal (Sorry, Love),” is particularly raw and devastating, and shows Jensen at the height of her powers.

You can listen on Spotify, Bandcamp and SoundCloud, and follow Pinky Verde on Facebook and Instagram.

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Get Hype for Local Web Series

In Hype, a new web series, Holland Randolph Gallagher portrays Durham with eyes that are tender and critical in equal measure.

To say that Durham itself is a character in Hype, a new local web series, would be an understatement. In partnership with Runaway, Holland Randolph Gallagher portrays Durham as only someone who’s lived here could, with eyes that are tender and critical in equal measure.

The Durham of Hype shapes its characters, rocks them to sleep, cracks them open and gets cracked open by them in return.

The protagonist, Smiles, ends up embroiled in Durham’s rap and startup scenes. His motivation? To buy back the house his sweetheart’s family was forced out of by rising rent costs. The irrepressible Ava (Andie Morgenlander) latches onto Smiles as her partner in the startup business.

Meanwhile, a fixture in the local rap scene, Bulldoze, and his younger brother Cris (impressively played by Dartez Wright and Melvin Gray Jr.) butt heads with Rakim Wilde (Leroy Shingu).  Wilde lacks Bulldoze’s talent, but is getting radio play.

When the parallel stories collide, fireworks ensue.

Shot on site, the scenery and rhythms of the city are right in ways an outsider could never capture. The wide shots of local favorites Alley Twenty Six, The Durham and Motorco are fun anchors to Durham’s geography. Hype also captures the specific, lopsided lilt of a Durham house party to a tee. It doesn’t hurt that the rollicking soundtrack is packed with local talent.

So, is hyper-local Hype worth…you know…the hype? Yes. Easily so. Strong writing, direction, and cinematography would make this a series to watch in a market laden with good offerings. The acting doesn’t always hit the mark, and sometimes the writing could be a little tighter, but that’s okay. Hype has to be considered as the first of its kind. It makes a formidable launching pad for what will hopefully be many such series shot in the area.

When thinking of Hype as pioneering media for the area, consider Hype as a title. Referring both to excitement and to the inflated self-marketing required to succeed, the characters in this web series confront the need to hype themselves up, to the outer world and to themselves.

In Hype, as in the real Durham, the bristling creativity that makes the city so exciting may also condemn it to being ruined by gentrification.

While that conflict is rarely directly addressed in the dialogue, it is keenly felt. The characters risk their livelihoods as underdogs in an underdog city. When you fail, you fail yourself, your family, and your hometown. Hype is a living, breathing portrayal of a struggle the city hasn’t resolved yet.

Hype, at its best, is simultaneously a balm and a friendly grin to anyone who’s called Durham home, as well as a primer to the area for anyone unfamiliar with its joys and pitfalls.

Yes, watch Hype. Yes, talk it up for its hometown grit and charm. But this is a series well worth watching on its own merit. Fundraising is currently underway for the next season. Get hype.

Watch Hype

https://www.hypedurham.com/

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NC New Releases 🎵

The best new releases in North Carolina.

It’s NC New Releases, the very best in new music of the last few weeks. For December 6th, 2018, The Triangle Guide is spotlighting singles from Durhamites al Riggs and Danny Blaze, and Wilmington band Stray Local. With music this great, you’ll have your headphones on all through the holidays.

Danny Blaze, “7 and the 5”

Before up-and-coming rapper Danny Blaze’s career took off, he took the 7 and the 5 buses in Southside Durham to work each day. In his latest single, Blaze reflects on his former routine.

In a segue worthy of Frank Ocean circa Channel Orange, ambient conversation slides into gospel riff… and then the beat drops. The track grooves with a weary momentum, pulling us into Blaze’s old daily grind: getting up with the sun, writing rhymes as the bus carries him to his job.

The track is satisfying for both narrative fans and rap technicians. Blaze is a compelling storyteller, and his charisma and expert cadence drive home why he’s one of the most exciting rappers working in Durham right now. If you’re not chanting “take the 7 and the 5” by the song’s conclusion, you probably don’t have a pulse. Check it out here.

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Stray Local, “Time” (Hourglass Studio Sessions)

Wilmington folk pop band Stray Local are back with a live performance of their new song, “Time.” Hannah Lomas’s vocals swirl over shimmering harmonies like “leaves that sweep down cobblestone streets” that she describes in “Time’s” melancholy lyrics.

While Stray Local are no strangers to the use of violin in their music, here it’s especially evocative. With pathos on par with Kerrigan and Lowdermilk, and touched with an indie sensibility, songwriters Jamie Rowen and Hannah Lomas have created a lovely new addition to the Stray Local discography. Make sure to check out the music video of their performance in Hourglass Studios here, and you can stream the song here.

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al Riggs, “GODKILLER”

al Rigg’s latest track, “GODKILLER,” is electric. About a trip to a bar as a gender nonconforming person, the song positively crackles with fear, despair, and rage.

In a masterful progression of instrumental layering, an opening of tinny beats soon meets a raw, dark guitar line, and al Rigg’s voice, singing, “the downtown boys are gonna beat me down.” The track builds to an astonishing crescendo, with distorted voices singing, brass, driving percussion. It’s a beautiful and devastating outcry.

“GODKILLER” is also the title song of their upcoming album, which will be released on January 25th. You can stream “GODKILLER” the song and preorder the album here.

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Q&A: Synth-Pop Artist BREV. Explores Grief in the New Age

“I became a musician not just out of desire, but out of necessity.”

Grief to a mellow groove should be an oxymoron- but to synth-pop musician RJ Bergman, aka BREV., lush synths seemed like a natural palette with which to illustrate sorrow. On In My Own Dimension, the twenty-four-year-old’s contemplative first release, BREV. immerses himself in his grief over his grandmother’s death at an unhurried, melancholy pace.

“Are we all taken for granted?” BREV. asks over tinny beats and a mournful motif. On his first release, BREV. seeks answers to his biggest questions through musical resolutions in synth-pop instrumentals. If In My Own Dimension doesn’t offer remedies to a first experience with grief, it does offer a beat to dance to- a way to healing.

BREV. spoke to The Triangle Guide about his evolution as a musician and his writing process.

Why did you decide to become a musician?

“I became a musician not just out of desire, but out of necessity. Music has been a coping mechanism for me for as long as I’ve been writing – over a decade. Music has always been a part of my soul. The most comforting moments in my life have come when I have gone through something and needed to reflect. Music has always been the kind friend that reached out it’s hand and captivated me. I think I owe a lot of my sanity to the fact that I was able to express myself through music in my younger years. The themes I’ve written about over my life have a lot to do with self-awareness, soul searching, and growth. I think you can hear and read in a lot of my work that there is a need to understand oneself and others around us in this perplexing life.”

What is the significance of the name “BREV.”?

“For starters, the word “brev” has many meanings. In Latin and music, it is meant to signify something that is short or a note that lasts a short amount of time. BREV. is a concept dating back to 2015. The original intent was to abbreviate ‘rebel’ and ‘revolution’ in to a succinct word/ phrase. The initials of my given name spell out REB, which people have always codified as rebel, and I’ve often felt a need to revolt. My musical ideas have attempted to change myself and others through music. I found that music has the opportunity to open us up to each others struggles, to have mutual understanding. To change someone’s mind through ideas is difficult. I feel like the best way I know is to wear my emotions and insecurities on my sleeve. I think we too often try to hide these, because our societal culture has emblemized them as weak, but emotions are real, raw, and impure, and have lead me to some of the most interesting dialogues I’ve experienced.”

You’ve transitioned from being an acoustic singer-songwriter to a synth-pop artist. What inspired that change?

“In 2014 I took a very enlightening trip to Australia and New Zealand as part of a study abroad program that introduced me to a plethora of new artists, new ideas, and creating lifelong connections with other musicians that impacted me enormously. I learnt of amazing artists like Kllo, Hiatus Kaiyote, Chet Faker (Nick Murphy), Jane Tyrrell, and Sticky Fingers. I even got to be one of the singers in an 8-piece band (called ‘John Wilton & The New Dream’ if you ever check it out) and they helped provoke this change. All of these led me towards a more heavily produced and chill sound which is evident on In My Own Dimension. The acoustic stuff has always been close to my chest, but I understood the niche audience that it reached. Not only was this new sound more satisfying to my musical self, it also felt more aligned with our current times.”

What skills have you brought from your acoustic background into synth-pop writing and performance?

“My foundation has always been in writing catchy melodies and deep lyrics. Those are two main characteristics I have enhanced and grown and pulled with me into this style. One thing that is strikingly different is how stage presence is handled in this setting. I feel like more people are watching the musician on stage with this style of music, wanting to see their facial expressions and movement, unlike what you might experience in an acoustic setting. I think I bring a different edge to electronic music since my lyrics tend to be heavier and poetic.”

You’ve just released your first EP, In My Own Dimension. What were your ambitions for your first EP? What skills did you want to demonstrate on your first long-form work?

“My ambitions for this work were introduce the sounds of BREV. to the world. I wanted to offer a variety of feelings and auras, allowing people to find a song that suits their mood. I’ve been dedicating myself to these songs for the past six months – and I definitely see this project as a jumping off point. This EP has sweeping stylistic changes throughout, and I think that was important for this work. I’ve had a hard time categorizing anything I’ve written these past six months, from synth-wave, electronic pop, ‘PBR&B’, and the like, so I certainly wanted this first EP to be an exploration of this sound, since I don’t think BREV. will ever be fastened to one genre or style.”

On In My Own Dimension, you explore heavy themes- generational divides, youth, death, and grief. Why did you choose to explore those themes through a mellow groove, rather than through a more turbulent sound?

“I think there is a sound and semblance of peace in the middle of chaos and turbulence. Zoning in and finding this sound was a journey for me that took me to places where I felt vulnerable, and this vulnerability turned into songs like “Fools” and “Granted.” In my head when I create songs, they tend to sound something like Brewed or Jam. Something downbeat and also energetic.”

What’s your favorite song on In My Own Dimension? Why?

“”Granted” is most certainly my favorite song on the EP. It’s an embodiment of myself, my ancestors, and how to deal through grief. My grandmother was fairly ordinary, but our connection ran deep. Of my twenty-four years on this planet I knew her for about ten, and I can almost recall all of the times we hung out on two hands. She was my last grandparent, and the first time I’ve had to deal with grief. It’s a memorable and emotional ode to her as well as a reckoning with age and a realization of how time flies, life flies, and how these things will inevitably end.”

If you could go back in time and see any artist perform live, who would you choose and why?

“This is a really tough question. One artist I would have loved to have seen in their heyday is The Academy Is…. I was a big Fueled by Ramen head growing up (Paramore, Fall Out Boy, Cute Is What We Aim For, Cobra Starship), and I always loved William Beckett’s amazing lyrics, emotional melodies, and stage presence. There was this Halloween concert they did with Cobra Starship that a few friends went to my freshman year of High School. I was bummed to have missed this, and never got to see them or Cobra Starship! Around this time was when I saw other artists that inspired my musicianship like No Doubt, Motion City Soundtrack, and The Cab.”


Follow BREV.

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Twitter: @BrevMusic

Instagram: @brevmusic

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