Looking at Dorian Monsalve’s surrealist scratchboard art is like peering through an incredibly detailed kaleidoscope. Every glance reveals a new perspective. There are a multitude of vividly colored dimensions, each etched with unconventional shapes, textures, and ghoulish faces.
Scratchboard art- scratching away layers of ink on a clayboard to create images- captivated Monsalve since he first encountered the medium in high school.
Trained in Colombia and New Jersey, the now Raleigh-based Monsalve has exhibited in the Triangle since 2015. With solo and group exhibitions including CAMRaleigh, The ArtsCenter, Trophy Tap & Table, City Gallery, and merit awards from Litmus Gallery & Studios and the Maria V. Howard Arts Center, Monsalve’s work brings fantastical visions to the Triangle arts scene.
Monsalve walked me through his artistic process, the reception to his work in the Triangle, and how his art connects him with the universe.
When did you first encounter scratchboard art, and what were your initial impressions of the medium?
The first encounter with scratchboard was in high school in my senior year. I thought scratchboard was so fun to create images just by using a sharp tool and etching away the india ink through either lines or crosshatching. The best was the high contrast on the drawings and how detailed I could be with this medium.
Walk us through your artistic process. How do you go about selecting the colors you’ll use in a piece? Are the images you create planned in advance, or do they emerge organically as you create?
The white clayboard can be pre-inked with any colored ink you wish rather than the black india scratchboard that already comes pre-inked with black india. In order to apply the color you will have to etch the image, then paint, or just keep it black and white. Most of the time I’m using white clayboard. I select the ink colors, layer them and apply them randomly with different materials such as plastic, metal pieces, or any elements that create different textures.
Once the ink is dry, I start revealing the imagery and scape by rubbing a steel wool all around the piece. Then I visualize and explore, always finding faces or fantasy beings. To bring the image forward or faded away I use a fiberglass brush, then for a more intricate detail I use x-acto blades, speedball tips of different sizes and tools that I invent. All imagery that emerges is from deep inside my being and from what I call the source, always inspired by instrumental music, nature, and the micro/macro cosmos.
You’ve been exhibiting in the Triangle since 2015. How would you describe the reception to your work in North Carolina?
My artwork has been appreciated and admired among artists and all public in general. My scratchboard art has been described as mysterious, macabre, dark and transforming (enlightening). The public has interacted with my work by looking through magnifying glasses that I provide to explore all the small details. The closer you get the more images are revealed.
You’ve often described experimental scratchboard art as a way of connecting with your inner self and the infinite. Your work tends toward the surrealistic, even the psychedelic. Do you find that surrealism is the most honest expression of your subconscious world?
I believe abstract, surrealism, psychedelic or even visionary art are just a word to label certain type of artworks. The soul is our/my most honest expression of ones/my subconscious world. It all comes from the source, God or however you wish to call it. “We are the instruments receiving divine energy from the source to materialize all beauty”.
You’ve been experimenting with scratchboard art for twelve years. What are you most looking forward to seeing in your personal artistic explorations of the medium, and in the wider world of scratchboard art?
What I am looking forward in seeing in my personal artistic journey with this medium is to accept, learn and experience all my soul and being by expressing sacred images, and bringing awareness that we are all one with the universe. The same way all the parts, organs, cells, even the microscopic atoms in our bodies are part of one single being. I am a reflection of the universe, so is my artwork.
All images courtesy of the artist.
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